3d graffiti letters alphabet2/18/2024 ![]() PEETA has since painted walls, designed sculptural installations, and headlined gallery openings around the world, showing his work in New York, Amsterdam, London, Vancouver, Paris, Basel and beyond, things coming full circle at his first solo show in Spain in 2015 - Montana Gallery’s aptly-titled “Parallel Realities”.Īn “Interruption of Normality”: How to See PEETA Art This connection between two-dimensional graffiti and three-dimensional sculpture is key to PEETA’s singular appeal, the subtle play of highlights and shadows making viewers, in PEETA’s words, “totally attracted by the plasticity of works,” eager to reach out and touch the otherworldly shapes. These experiences fueled PEETA’s passion for sculpture and would prove hugely influential in the development of his unique, tactile, “plastic” lettering style, the artist saying in an interview: “I learn volumes from sculpture and apply them to painting, and I project through paintings new shapes for sculptures.” Inspired by by the groundbreaking work of architects like Zaha Hadid (who designed such stunning sites as the Changsha Meixihu International Culture and Art Centre and whose influence is particularly striking), PEETA went on to formally study sculpture in high school and interior and industrial design at university. Taking as his moniker a childhood nickname, PEETA began to develop his unique graffiti style by bending, stretching, and twisting the letters of his name into unrecognizable new shapes. Such emulation and experimentation, which, in PEETA’s words, “started as a game,” soon grew into an obsession, consuming all of the young artist’s free time. This led to his first work of street art, painted on a wall near his hometown when he was just 13 years old. As a boy, he was fascinated by the art he saw while visiting Spain with his mother, and, in particular, by the graffiti-covered trains that ran between Venice and Trieste.Įager to understand how such works were made, PEETA used his camera to document the train graffiti, and, soon after, decided he’d try to reproduce it himself. “Parallel Realities”: PEETA’s Early Life and Graffiti Art Influencesīorn Manuel di Rita in a small town outside Venice in 1980, PEETA’s creative spark came early. ![]() ![]() Indeed, such groundbreaking new works by PEETA, the result of his self-described quest to “redesign the volumes” of the surfaces he encounters, are likely to be some of the most bizarre and beautiful pieces of mural art you’ll ever see. Scroll through the PEETA photo gallery and you’ll find it’s practically impossible to pick even a single letter out of this artist’s strange, twisting designs. Fame comes not from a wide-reaching tag, but from showcasing exceptional style, originality, and innovation, legibility be damned.Īmong the contemporary street artists pushing this idea to its limit is PEETA, an Italian multidisciplinary virtuoso whose wild, abstracted graffiti language looks like it might have been stolen from some other dimension. From the “Wild Style” of the late 1970’s and 80’s to the bold, muscular lettering of writers like Revok and Retna, a piece of graffiti art is now celebrated above all for its creator’s unique vision and artistry. Things have changed dramatically in the years since. After all, what would be the point of taking your tag “all-city” if no one could read it? For these graffiti art pioneers, quantity always trumped quality, and legibility was king. The young writers of the 1960’s and 70’s, eager for fame and recognition, worked quick and dirty, scrawling their tags in simple letters on nearly any surface they passed. ![]() ![]() In the early days of graffiti art, notoriety was prized above all else. ![]()
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